Police Artist (Sir-Tech Software)

Presented here are full box art scans along with included documentation and disk label scans.  Disk images are pending.

Graphics created with the aid of the Graphics Magician (noteworthy considering KansasFest 2019 Keynote).

“Police Artist includes 3 different colorful games that draw over 1,000,000 unique faces.  Each face has his or her own distinctive name and personality.  All three games challenge and strengthen your ability to accurately see and remember a face.  If you always forget a face and want to do something about it, Police Artist is for you.”  Copyright 1983 by Elizabeth Levin.

Donated by Leslie Ayling.

JB Retro Collect repository 
Click and navigate to Apple II Software, scroll to P for “Police Artist (Sir-Tech Software)”. 

Police Artist005 frontPolice Artist006 rear

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In Search of the Most Amazing Thing, Apple II software (Complete scans) WOZ

Presented here are full scans of the box art and included manual, book, Spinnaker catalogue and disk images.

By Tom Snyder Productions and Spinnaker software present a game for ages 10-Adult.  “The Most Amazing Thing is out there somewhere.  It won’t be easy to find it.  But even when you do, finding it again will be a brand new challenge.”  Copyright 1983.

Donated by Leslie Ayling for scanning and archive by JB Retro Collect.

JB Retro Collect repository 
Click and navigate to Apple II Software, scroll to I for “In Search of the Most Amazing Thing (Spinnaker) WOZ”. 

InSearchOfTheMo frontInSearchOfTheMo rearSpinnaker CatalogueIncluded BookInSearchOfTheMo diskIn Search of the Most Amazing Thing - Disk 1, Side A

Mind Over Minors, AI for the Apple II with manual WOZ

Presented online is the book and Apple II software “Mind Over Minors” as published by Human Edge.

“Mind Over Minors is a tool designed to give you an increased understanding of your child.  It will help you identify specific strengths and weaknesses in your child as well as yourself.  Suggestions for the best way to motivate, manage and discipline your child are made based on the personalities involved.”  ISBN 0-924442-02-6

The book accompanies a 2 disk set of the Parent’s Version only.  The manual and book suggest it was sold in two editions, one for parents and one for teachers.  Unfortunately I do not have the Teacher version.   Disks images as WOZ and A2R.  I can not remember how to make a .DSK from a WOZ so please use a WOZ affirmative emulator.

JB Retro Collect repository 
Click and navigate to Apple II Software, scroll to M for “Mind Over Minors (Human Edge) WOZ”. 

Donated by Leslie Ayling

Mind Over Minors002.jpg

 

Mind Over Minors003.jpg

Formula 1 Racer, Gentry Software Apple II WOZ

 

Presented here are full scans of the box art, disk label, manual as scanned for JB Retro and donated by Leslie Ayling.  Also included in the archive are disk images for all users (WOZ, A2R and DSK 4am crack).

Forumula 1 racer018 front.jpg

“Race against the clock in this test of quick reactions and steady nerves.  You drive your Formula 1 Racer around a twisting course, swerving to avoid other racers and – WATCH OUT! – round signs.

As your shift into overdrive your speed increases, and you cover more miles and earn more points.  But you may have to downshift quickly as you enter a sharp curve at dangerous speeds.

As your skill improves, you can advance from noice to intermediate – and then to expert!” Copyright 1983 Gentry Software ™.

JB Retro Collect repository
Click and navigate to Apple II Software, scroll to F for “Formula 1 Racer (Gentry) WOZ”. 

Forumula 1 racer019 rearForumula 1 racer020 disk label

Repair / Recap of Apple 12″ Macintosh RGB Monitor M1296

Hi Everyone

The aim of this post is to create the first reference online of capacitors used in the main and neck board of the Apple 12″ Macintosh Monitor (M1296).  I will link to a spreadsheet of capacitor values that has been created by myself and verified / checked for accuracy and show photos of the recap.

This monitor’s design has the front bezel match the curve and width of certain Macintosh computers, famously the LC line and also IICI.  It is a fixed resolution 512 x 384 @ 60 Hz RGB monitor which used composite sync.  Internally it is a Japanese design by Matsushita and uses a shadow mask CRT tube.  It is not compatible with traditional analogue RGB video signals, even when fed clean C-SYNC.

I found the build quality to be strong and pleasing to repair.  My monitor featured vertical collapse when turned on and was known to have little use from new, cosmetically perfect and from a single owner in Sydney, Australia.

Capacitor C418 was the failure point for me, along with rotted traces from heavy capacitor leakage.  The main board was indeed wet and electrolyte pooling in the grooves of the case.

I chose to re-cap everything including the neck board as clearly I felt like a challenge.  After repairing some traces and verifying my work, the monitor was tested as working ‘first go’.  The image remains pristine – clear, converged well and bright.

PDF spreadsheet M1296 Repair Recap rev 2.xlsx

Unfortunately the photos I took were lost.

Apple 12″ Macintosh RGB Monitor M1296

Main board

uF

V

C401, C413, C502, C523

1

50

C416

22

25

C418

2200

6.3

C420, C519

220

25

C501, C526

47

50

C507, C520, C522

10

50

C512, C414

100

50

C517

100

25

C518

10

160

C521

82

160

C525

0.1

50

C908 (Comment: Negative Black)

220

450

C914

22

100

C915, C921

10

100

C919

330

180

C920, C417

2200

35

Neck board

uF

V

C203

1

50

C205

220

100

C206, (C517 from main board)

100

25

C2B4, C2G4, C2R4

2.2

50

C2R2,C2R1,C2G1,C2B1,C2G2,C2B2

47

25

C6B5, C6R5, C6G5, C207

1

160

C6R3, C6G3, C6B3

47

25

By Jeremy Barr-Hyde for JBRetro Collect

The Australian Government Database, Know Ware [Complete]

Navigate to Apple II Software, scroll to T for The Australian
https://drive.google.com/drive/folders/0BweO6Y13Cmc4VlFKYkx2MWxWU1k?usp=sharing

Presented online is a complete archive of the Apple II software, The Australian Government Database by Know Ware (1991).

I found the software very easy to use and is even more relevant in 2019 as the country seems to be ruled by politics opposed to traditional governance.  One fact was I did not know Australian took the best established policies from nations such as America and Switzerland and distilled them into our constitution.

This software is a real gem in Australian software, lost to world and not even held by the National Library of Australia. No holdings exist.  Although my mother did say ‘If you want something done properly, you best do it yourself!’.

https://trove.nla.gov.au/work/16094815?q=The+Australian+Government+Database%2C+Know+Ware&c=book&sort=holdings+desc&_=1554335355364&versionId=29236586

Google Chrome001.jpg

In addition to the disk images, a full scan of the folder cover, manual and disk labels are included.

Donated by Ashley Snare.

OpenEmulator011Preview001OpenEmulator010OpenEmulator008Finder001OpenEmulator007OpenEmulator009OpenEmulator006OpenEmulator005OpenEmulator004OpenEmulator003OpenEmulator002OpenEmulator001

 

Days of the Week

Navigate to Apple II Software, scroll to D for Days
https://drive.google.com/drive/folders/0BweO6Y13Cmc4VlFKYkx2MWxWU1k?usp=sharing

A quirky of disk of 13 programs to play around with days of the week, spelling, multiplication and grammar.  The title game appears the most polished with  custom fonts and colour, but the rest of the disk is 40-column text only.  Odd titles like Alphabagels lets you type three letters then it appends them with random words like ‘bagel’ for fun. Enough said really.

(C) 1980, Appleswap

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KansasFest 2017 Session – Disk Imaging with Applesauce Presented by John K Morris.

KansasFest Session – Disk Imaging with Applesauce

Presented by John K. Morris

Thursday, July 20 2017

08:45-09:15

John will discuss the development of the Applesauce floppy drive controller that enables you to connect your Apple II floppy drive directly to your modern computer via USB. He will also discuss how to use the software and various other topics around disk imaging and copy protection.

08:45 Disk imaging – I had a problem with my EDD card and I wanted to do something different.  I embarked on this journey to capture disk information in a different way.

What I ended up building was a hardware solution.  It is a floppy controller that allows you to connect a Disk II to your computer over USB.

The nuts and bolts: What is actually on a disk?

There is a common idea that a floppy disk contains 0s and 1s.  A floppy disk only contains 1s. We have a strip of magnetism and everything faces either north or south.  As the head rolls over this information, or the information rolls past the head. The head picks it up and if the bits there are north facing, it sends an ac current one way, and if they are south, it sends the current the other way.

What the drive does is, there’s one chip at the heart of it: the 3470.  It looks for the current to change one way or the other.  SO whenever it changes from north to south or south to north, it sends a message out.  That message is a 1, a one micro-second long pulse to denote one.  0s are derived by the lack of impulses over time.  The A][ expects a pulse every 4 micro seconds. If there isn’t one happening there, when it does find one… it says’ Hey it’s been about 8 micro seconds, that’s a zero, I don’t want that’.  So a gap makes 0s.

You’ve heard the term Flux? That is the transition north to south or south to north.  The Applesauce connects up and it reads the flux transitions directly.  It grabs every transition on the disk and it measures the amount of time of nanoseconds in-between these.  It can take that stream and create bitstreams, nibble streams and take it all the way from being pulses to data. Basically what the floppy drive controller does.

Applesauce shown on the screen, Fast Disk Imager mode.  John comments he pulled a few disks from upstairs for demonstration.  he presses start and it shows tracks being copied, successful in ~12 seconds. This is “Early Games”. Image file saved.

Here we have Early Games, the .DSK file is double clicked to launch with Virtual ][.  The game boots quickly and is shown working.

What we witnessed was many steps in that 12 seconds.  It’s puling the fluxes, turning them into bits, then into nibbles, then de-encoding it. This has created a disk image.  This is for unprotected disks.  Apple sauce has a number of techniques for data repair.  If the address parts of the disk are made, it will hunt for chunks of data and bring things back.

if you have bad nibbles it’ll go into the flux transitions that make up the nibbles to determine potential values that nibble could have been, then verify against a checksum, to re-create a chunk of lost data.

Many different techniques are employed.

All this relies on the fact the disk has a known structure.   ProDOS, DOS 3.3 and so on.  When DOS works it

It has address prologues and checksums, because real the Disk II isn’t that accurate.

Question: So you’re telling me when it creates the disk image that it’s actually verifying the data ?

Answer: Yes.

Question: Does EDD do this?

Answer: No, EDD does not do any validating.

There are many ways to do data recovery when there is a set structure, allowing for aggressive methods.

When it comes to copy protection, it kind of turned into a wild west out there. All DOS 3.3 address chunks start with the beginning of address information a sector D95A6.  Everything is logically laid out in one big loop with little keys in there. As it finds the keys, it says OK this is a sector, look at the sector number and go to read the data following it – that is your sector.  Publishers didn’t like that because you could copy everything. Checks sector numbers to grab data and that’s your sector.  Publishers first changed sector recognition with cat and mouse games. EG moved address information to D97A6.   Affects Copy II plus.  From there bit copiers were effective in grabbing bits / raw information as they didn’t care about whether it’s copying a sector or not.  It just grabs the raw information.

The copy protection folks came up with, well one of many.  One was an exploitation of the 3470 Drive II chipset (creates the pulses that makes the bits).  They noticed you can’t have more than two 00s in a row on a disk because you can’t have too much time of the 3470 chip not seeing anything.  When this happens, the chip thinks it’s not doing its job well so it uses an amplifier and keeps turning it up to find the data it’s supposed to be finding.  Until it gets to the point that it’s amplified noise as random data.  This is why you can’t have more than two 00s in a row – this creates random bits from the amplifier.

To defeat bit copiers, publishes added areas of no transitions.  Bit copies run and see the ‘bits’, spin the disc around again and the drive controller has made the data different.  We know that this is a real disk because these bits keep changing.  When you put it into Copy II plus or EDD, it runs through and it hits this no transition area and random bits spit out.  And Copy II Plus thinks of those bits as real, it doesn’t understand if it’s real or fake.  It grabs those and cements these as being part of the image.  When the software runs, it comes to this pattern of bits here  Spins around ‘Hey this is the same’.  Spins around ‘This isn’t changing’ leading to detection of a copied disk.

Question from the audience – nibbles.  DOS 3.3 and above has a finite six-and-two encoding (16-sectors) where logic sequences take 256 bytes / sector, spit out 342 nibbles (with checksum) to represent the bytes.  This increases size but it allows for encoding without more than two zeros.

09:00

With DOS 3.2, 13-sector disks they used. They required five-and-three encoding to make 410 nibbles. The rules for earlier encoding and state machine chip was that there could only be one zero. Moving on to DOS 3.3 they came up with six and two to shrink packets from 410 to 342 to gain room for the additional three sectors.  An intermediate stage in there solely to convert into binary.  How do you store a 0?!

Then questions is presented – how do you actually store 0?

So they came up for a way to make bit copies suffer, a lot.

When you have a bit stream you have to establish what is real and what is fake.  Each bit is assumed to take four-microseconds.  Transitions are variable, drive speed is constantly wiggling around.  In fact, it’s a miracle its works at all!

Woz did an amazing job taking the components to make what he did.

Protected disks need flux imaging.

Software demonstration:  Imaging of “Mastertype”, protected, with Applesauce.  Introducing flux imaging, this records every flux transition on the disk and the number of microseconds between each.  Applesauce can locate where every flux transitions exists on the media itself.  It has as special sensor to be mounted inside a Drive II which watches the spindle to keep the alignment of tracks.  A visual representation is shown, representing the density of flux across a 5.25” disk media.  The grey intensity of each pixel in Applesauce shows flux.  The more you have the brighter it will be.

Question: What do you do with areas of no transitions?

John: Real bits we can get fine but we still need to deal with the problems of fake bits (from amplification).  Luckily real bits don’t really move around as they maintain a consistent timing to their neighbours.  Allows for determination of what lines up – Applesauce grabs five copies of each quarter track.  Comparison – is this consistent, is the timing between these bits consistent?  When it gets to an area of no transitions it can see solid and random bits. Random bits being thrown in where they dance around and number change, turns into a big garble  Looking over multiple reads, things move around inconsistently.  Applesauce will see these bits are being inconsistent and find the the extent of these inconsistencies (generated by 3470) and eliminate the fake bits. So it will pull the false things out.

*Jeremy comments EDD is just ONE copy of quarter tracks and therefore can make no comparison. EDD is at the mercy of the drive controller giving it accurate bits in one pass.

09:08 Flux transitions shown on screen.  Track 0 on this outside edge …. we have a bunch of bits in a stream but where things are starting?  That is done with sync nibbles FF followed by 00 which delays the system.  Four of these in a row tells the logic to bring it into sync.  Four sets of sync nibbles guarantee aligned of data.

These vertical lines here are sync areas. This is where it wants to make sure the data following it is properly

These sync fields allow for data to be read with correct synchronisation.  This effectively leaves watermarks.  On a regular disk II, all these are skewed as it has no idea of the position of the disk when it writes a sector.  ‘OK next sector’, writing a whole track.  By having each sector aligned this way (on slide) shows high quality equipment generated this floppy, possibly a whole set of tracks written once.  There area lot of variance in drive speed – this can be managed. It’ll write a big area of sync, come around and overwrite the end to make sure a long set of bits all around. It’s the safest way to do that.

Referring to the on screen flux image  –  a lot of nothing is on track 0 which is unusual but important to starting things up.  Applesauce generated a RAW file / disk imaging complete 09:11.

We want to improve the ability to recognise and analyse disks even with older disks failing.  The work that Mark is doing is trying to save them before they are gone.  This is another way to do that.

A reminder that five flux transitions are capture for later processing.  You can get enough information resulting in intact protection.  Johns explains his excitement when finding new protection schemes and exploring the craziness that publishers went to.   The brilliance is far more interesting than the content of the disc itself. “Sometimes I look at a disc, wow what are they doing here?  I spend two hours spelunking a disk… it’s truly fascinating and really an art form.  Usually far more interesting than the content of the data!”.

A2R file is generated at approximately 35mb – from this we can generate other formats.   This A2R process is future proof.  No more interpretation of data, we are saving real flux transitions in it’s lowest, raw form.

Reminder: Nibs can contain some protection but when it comes down to it there isn’t a format that exists (until A2R) that maintains protection. A2R can extract everything and generate different formats of disk images.  The raw is the raw timing of flux transition – no questions involved “is this a zero?”.  Raw bits captured in their lowest form.

Choplifer with spiral tracking demonstrated.  Disc author did not use sectors.

Spiral pattern is shown – comment 1x1px PNG images, representing progress are saved.  Realtime. black 0 white ~255.  Under construction.

Sporadic pattern shown (game Frogger).   Entire game exists on the edge with really tightly packed, interleaved quarter tracks.  Insanity

Hardware is straightforward, leaving software to do heavy lifting.  Accurate to approximately 125 nano seconds.

Question: When can we buy this?  John jokes a few things are exploding /… fire bad …. /  more things to do in standardisation of images so lets give it a month.

Question: Alternative track lengths.

John: No reason why it couldn’t image up to 40 tracks but currently 35 track limit.

Question: Can this be used portions of unprotected damaged discs?

john: Yes.  when it finds damaged areas, it can point it out and show you what flux transitions do exist.   A new tool is being worked on, like a nibble editor, to look at individual flux transitions.

From this it can interpolate what should be there (in .DSK creation).

Question: Unidisk

john: Disk II allows for sync sensor, Unidisk is too small to accommodate this.  Sync sensor goes und

Presentation ends 09:20

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